Europe Trip 2016: Part 2, Paris

by Shaun

Day 1

The train dropped us off at the Gare Du Nord, from which we quickly learned how to use the Paris Metro (may-troh) to get to our flat in the arrondissement of Montmartre. We set our things down and hiked up an epic set of stairs to the Sacre Coeur, a ivory-colored cathedral keeping watch over the City of Lights.



Below the domes and spires of the cathedral crowds from around the world were gathered, as they do nightly, playing music, taking selfies, drinking wine and speaking in French, Italian, Russian, English, Chinese, Somali, etc.... The scene was the love child of The Tower of Babel and It’s a Small World After All.





Afterwards, we went to a café and used my survival French to order dinner. The French waiters gave me pointers and seemed to enjoy it.



Day 2

 Well, if we’d weathered the world’s tenth largest museum the day prior in London, what could hold us back from tackling The Louvre, the world’s second largest?

We raced from our flat to the Metro to the bowels of the place right as people started lining up. Once we got in, we made a b-line for the Mona Lisa like Tom Hanks in the Da Vinci Code.



She’s all she’s cracked up to be. From each angle, her face seems to take on a different expression. Benignly regarding you from the left side, coquettishly suggestive in the middle and then mildly bored by you from the right. Clearly, you need adverbs to describe her. Her expression has, in the past, evoked complex responses from men. One guy stole her and was her captor for two years, another guy threw acid on her, which scarred her face for another two years while artists restored her and a final male assailant threw a rock at her. Now The Louvre keeps her safely behind bullet proof glass. Me? As I have a lovely muse of my own, I felt free to observe and move on.

 Other highlights?

The Venus de Milo.

As she dates back to the Greek period, she should be called Aphrodite de Milo
Captif: One of two slaves Michelangelo, at age 27, created out of marble to adorn the tomb of Julius II, both representing the pull between the earthly and the celestial. This guy has gleefully resigned himself to dying and succumbing to the flesh. Doesn’t seem so bad by the look of things.




The Cour Marley, a courtyard of marble and granite designed to resemble the tiers of a classic French garden. Each statue alone would take an hour to fully appreciate, including the anatomically correct horses.



No use telling this guy to ‘grow a pair’. 


The randy friezes.

My greatest interest has and always will be wholesomeness. 


Somewhere between the thirteenth chamber of Napoleon III and the wall of Impressionists (Monet and Renoir originals jumbled up on some sidewall as if they were gift shop prints), we got tired. A line from a literary critic echoed in my head: “poetry should be sipped not gulped”. The same must be true for art. Our hearts and minds were simply too full of beauty and meaning to handle any more. We began to cry and tear our clothing. I said I wanted to watch a football game or a super hero movie. We ran from The Louvre like rats from a sinking ship.



We were greeted with a sunny day in the court yard and we breathed sighs of relief. No more art for the day.

At Trocadero station, we caught a grand view of the Tour d’Eiffel before proceeding on to macarons and tea at Laduree, the dream tea party of any girl (or boy) come to life.




Then, it was the Arc de Triomphe, Napoleon’s intended present for his kick-ass troops who conquered most of Europe by 1806. Unfortunately, the arch wasn’t completely until 1836, over a decade after Napoleon himself had kicked the bucket.


A view of Paris taken from the top of the Arc. See the arch dead center of the buildings? That's Paris' 3rd arch. All three--the arch at the Louvre, The Arc de Triomphe and this one--line up perfectly.

Exhausted, we wandered down to the Ile de la Cite and crossed a bridge over into the Latin Quarter, where Julio Cortazar, Samuel Beckett, Albert Camus and countless other artists have written and composed. 



We did dinner Bohemian style—baguettes and wine on a quai along the Seine. Above loomed Notre Dame, but we were too full to take it in just then. The spires and flying buttresses would have to wait until morning.



That night we mustered up energy to take a river cruise along the Seine.


Day 3

We woke up at 8—late for us—and returned to Notre Dame intending to conquer it like the cathedral’s vassals had intended on conquering the Holy Land.  




 We waded through long lines and masses of people to get these shots of this bastion of architecture.


The center entrance depicts the Last Judgement--demons on the right, saints on the left.

But why are the demons so much more interesting than the saints?

A view of the "Great Mother" from the side




The city was so photogenic, I found it hard to take a bad photo.



Except for maybe this one.



Good thing I made up for it with this one.



These ones are okay.






We had a great trip. Though at times it may have been a bit too much to uptake in the moment, that’s the beauty of photography and writing; both give us chances to reflect on past revelries and understand how fully blessed we’ve been. These memories will carry me through the quotidian. 

In closing, thanks to our families for believing in us and supporting us in so many enriching ways. We hope this blog and these pictures are a small token of our gratitude. Thanks especially to Sandy for hosting that great party which kicked off our adventures and to Mary Anne for loaning us her wonderful camera.

Love,


S & K 


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